Sunday, May 22, 2016

Game of Thrones Power Rankings (S6, E4)



Season 6, Episode 3: "Book of the Stranger"

Last week's rankings: "Oathbreaker"

In the Game of Thrones, you win or you die. In that spirit, here’s your weekly look at who’s winning and who’s (slowly, painfully) dying.


Winning!

1. Khaleesi the Unburnt, Bow to Her!

Hey, remember when I posited last week that "Khaleesi" was a title that had outgrown its use to Daenerys, and was becoming a bit inconvenient? Ha! Shows you what the hell I know. 

Has the Mother of Dragons officially become the greatest lady badass in television history? Can we invoke the mercy rule on any other contestants? It was exactly 30 episodes ago that Daenerys calmly said "dracarys" to Drogon, taking command of the Unsullied while cooly eliminating the slave lords of Astapor, and then dropping the whip and granting freedom to her soldiers. That was a strong contender for greatest scene in the series, and has remained as such for the subsequent three years. I don't quite think Khaleesi's emergence from the flame-engulfed Dosh Khaleen tops it, but the fact that it's debatable is amazing enough. 

Also of note is the performance of Michiel Huisman, the actor who plays Daario, during that scene. Remember, Daario as a character had yet to see Daenerys withstand fire. He wasn't there in Season 1 when she hatched her dragons in Khal Drogo's funeral pyre. Even though Daario has been following her and sleeping with her for several seasons, he hadn't yet had reason to view her as a pseudo-deity. Huisman played the moment beautifully. 





2. Ramin Djawadi

You don't know who that is, do you? As the music composer for Game of Thrones, Ramin has been the series' secret weapon since the first episode. He's deservedly revered for the show's epic credit sequence music, which never gets old no matter how many time you hear it. Seriously, I've watched every episode 3-4 times and I still don't fast-forward through the opening credits. 

But Djawadi doesn't get nearly enough attention for how much he does in the scoring of individual scenes, characters, and motifs. His best work was on display twice in "Book of the Stranger," first when Sansa and Jon embraced, and then, of course, during the epic emergence of Daenerys through the flames of the Dosh Khaleen. It's the same music we've heard during every great Khaleesi moment, and it never fails to achieve immediate goosebumps. 

3. Hugs

That Sansa/Jon embrace at the beginning of the episode was legitimately the most heart-warming moment in the history of the show, right? And is it the first non-bro hug of actual, genuine affection that we've ever seen? Maybe even the first one that's ever occurred in Westeros? Shout out to hugs. Hugs are the best. 

4. Armies

Okay, big picture talk here. What I really noticed in this episode was all of the main characters gathering into factions and beginning to militarize their forces. While Season 2 gave us the War of the Five Kings (all of whom are dead now), this is looking like a War of the Seven Armies. We have 1) Jon Snow, Brienne, Davos, Castle Black, the Wildlings, Littlefinger, and the knights of the Vale; 2) Ramsay, the Bolton bannermen, the Umbers, and the Karstarks; 3) The Greyjoys and the Iron Islands; 4) The combined Lannister/Tyrell forces; 5) Daenerys, Jorah, Daario, Tyrion, Varys, all of Dothraki, the Unsullied, and three dragons; 6) Ellaria, the Sand Snakes, and the Dornish; and 7) The Night's King and the Army of the Dead. It's looking like all of these factions are about to start going at it, and shit's gonna get real. This feels like the beginning of the endgame. 

5. Littlefinger

In five plus seasons, this guy has never even come out on the losing end of a conversation. His mouth is like Ser Arthur Dayne's double-sword attack. 

Honorable Mention: Brienne of Tarth

A lady always remembers the first time a giant bearded wild man eye-fucks the shit out of her. 




Losing/Dying

1. The Great Khals

Like the Republican Party over the last 160 years, they had a good run. But unlike the Republican Party, this new boss won't be the same as the old boss. 

2. Melisandre

Brienne will want her dead as soon as she confirms that Melisandre was responsible for the smoke demon that took Renly from behind (see what I did there?), and Davos will want her dead when he inevitably finds out what happened to his favorite bedtime storyteller, the Lady Shireen. These bad portents are compounded by the fact that Jon Snow has now been resurrected, which means Melisandre as a character has probably served her purpose to the show. As we saw with Doran and Trystane Martell just a few episodes ago, as soon that Game of Thrones writer's room doesn't know what to do with you, you're done for. 

3. Ramsay Bolton

We just saw what happened to the Great Khals after they threatened to let their armies gang rape a resourceful woman. Ramsay did the same thing in his "Come at me" letter to Jon Snow, which may not prove great strategy. The North remembers, you sack of shit. 

4. Diplomacy

Showrunners Benioff and Weiss said they based Tyrion's strategy off of Abraham Lincoln, who first tried to use diplomacy to end slavery and avoid war. Lincoln failed, and war came. Whether Tyrion's diplomatic attempts will be any more successful remains to be seen, but this is fucking Game of Thrones we're talking about. Bet on war. 

5. Osha

It has to be disheartening for an actress to not be used on a show for over two years, and then be called back for less than five minutes of screen time, just to get stabbed in the neck. Has SAG filed a grievance yet? 

Honorable Mention: The Ale of the Night's Watch

A bunch of dudes, sequestered in the cold at the edge of the world, for thousands of years. Wouldn't you think learning to make a good ale is like the FIRST thing they'd do? In a show with dragons and ice zombies, Castle Black not having a good brew might be the single most unrealistic element. 


Confirmed Kills: 16 (I think)

*2 Dothraki out for a night on the town (both killed by Daario Naharis, one from a broken neck, the other stabbed and then face-smashed by a large rock)
*Osha (stabbed in the neck by Ramsay during a failed seduction attempt)
*13 (my best count) Khals and bloodriders in the Dosh Khaleen (incinerated by Daenerys the Unburnt after openly asking how she tastes)

Season Death Tally: 44


Sunday, May 15, 2016

Game of Thrones Power Rankings (S6, E3)




Season 6, Episode 3: "Oathbreaker"

Last week's rankings: "Home"

In the Game of Thrones, you win or you die. In that spirit, here’s your weekly look at who’s winning and who’s (slowly, painfully) dying.





Winning!

1. Ser Arthur Dayne

I don't actually care that this guy died on screen in this episode, or that the character has been dead for over twenty years within the context of the show. Holy shit, this guy is a badass, and he absolutely won the episode, with the help of...

1a. Game of Thrones Fight Choreographers

I mean, am I crazy, or was that like the best on-screen sword fight you've ever seen? Unfortunately, I don't know who to give credit to, because IMDb doesn't list anyone as a "fight choreographer" or anything like that. So by default, let's all applaud Rowley Irlam, who has the most Game of Thrones-y name ever, and serves as the show's lead stunt coordinator. 

2. Varys' Particular Brand of Winning

Varys employed a strategy this week that must seem quite peculiar to all of his co-residents of Westeros and Essos. When he caught the person who had been betraying and aiding in the murder of his allies, he tortured her, raped her, severed her genitals, hung her in the castle square, beheaded her, and then fed her to dogs offered her a bag of money and a journey to a better life. Wait, what? Sure, she fed him information, but still! A bag of money and a cruise to new lands??? If that's the prize for betraying Varys, sign me up!! 

But seriously, this is what makes Varys such a perpetual winner on the show--he (along with Littlefinger) is the only person who understands that winning the long game means not giving into your compulsions to win every confrontation you find yourself in. If it were Cersei who captured someone betraying her house, you know how that would have gone. But Varys instead bargained with his enemy and lavished her with gifts, and has placed himself in a better strategic position for it. 

3. Small Council Meetings 

These just keep getting better and better. Also, when did Mace Tyrell return? How did he find out about the death of Ser Meryn Trant? How did he explain it to Cersei? How did he find out his children were imprisoned? Did he know of Loras' sexual proclivities? We need a Mace Tyrell bottle episode. 

4. Leanna Stark Theories

She's now been the centerpiece of two flashbacks in as many episodes, and they're definitely building to something. Book readers have long theorized about what really happened inside the Tower of Joy, and the idea of finally having that confirmed is tantalizing to them. Why could Ned hear her screaming? 

ON THE OTHER HAND: This episode had a hidden clue that's highly detrimental to the prevailing theories of Jon Snow's parentage. When Arya's a girl's sadistic faceless fighting teacher was grilling her, she asked Arya a girl about her siblings. When Arya a girl responded that she had four brothers, she was hit, because that wasn't true. When she then said three brothers and a half brother, she wasn't hit. So, why wasn't she hit? If the Leanna Stark theories are true, Arya a girl doesn't have a half brother, and the faceless men seem to know these things. There are only four possibilities: Either A) The faceless men for some reason don't know the truth about Jon Snow's parentage, even though they seem to know everything else, B) It's a continuity error in the show, C) Arya a girl really does have a half brother, but it's not Jon, or D) Jon and Arya a girl are half siblings after all. Curiouser and curiouser. 

5. Ser Davos' Pep Talks

"Now go fail again." And he will. 

Honorable MentionArya Stark A Girl

A girl can see again, which sadly means that a girl won't be turning into Daredevil anytime soon. It's a win for a girl, but a loss for me. 





Losing/Dying

1. The Donald Trump of Westeros

We can only hope for an imminent hanging to everyone that points at an entire group of people and says, "They're all murderers and rapists. I want them off our lands and behind a wall." GTFOOH

2. Rickon Stark, Osha, and Shaggydog

I've been wondering where they were for a while, and now I feel bad for hoping they'd return. Ramsay remains the worst. 

While we're here, it's time for a quick direwolf update. We started the show with six: Greywind, Ghost, Lady, Nymeria, Summer, and Shaggydog. Lady, Sansa's direwolf, was killed in Season 1, Episode 2 by Ned Stark, on orders of Robert Baratheon, for the whole ordeal between Arya, Joffrey, and the butcher's boy. Greywind, Robb's direwolf, was killed in his kennel during the Red Wedding, in Season 3, Episode 9. And now Shaggydog, Rickon's direwolf, seems to have met his end. That leaves Ghost, who's in Castle Black with Jon Snow, Summer, who's under the weirwood tree with Bran, and Nymeria, Arya's direwolf, who ran off into the woods 51 episodes ago. I'm particularly curious whether Nymeria will return. The show has always made a point in emphasizing the importance of the wolves, so I have to assume yes. But the when, where, and how will be particularly interesting. 

3. Khaleesi

That title, one of many for Daenerys Stormborn Targaryen, Breaker of Chains, is starting to be a bit of a hassle, right? 

4. Ned Stark's Honor

One of the biggest pieces of "evidence" for the theories of Jon Snow's true parentage is that the Honorable Ned Stark would have never ever had an affair behind his wife's back. But this week, we actually saw Ned's honor take a real hit. All of the stories about how he bested Ser Arthur Dayne proved false. See Arthur Dayne was ready to kill Ned before he was stabbed in the back by Howland Reed. 

To be fair, Ned was likely lying about what happened as a favor to Howland Reed, so he wasn't known as the person who stabbed the greatest sword fighter in Westeros in the back. Just as Ned may be lying about Jon Snow's parentage for the sake of a promise to his sister. The lesson is that Ned was willing to be dishonorable, or even for people to falsely perceive him as dishonorable, as long as it meant helping those he cared most about. It'll be interesting to see if more examples of this arise. 

5. Jon Snow's Karma

When Robb Stark executed Rickard Karstark for disobeying his orders, he began to lose the allegiance of his people, and they eventually betrayed and killed him. When Jon Snow killed Janos Slynt for refusing his orders, the same thing might have happened, and he was eventually betrayed and killed as well. Last week, when Jon was struggling with whether to execute those that betrayed and stabbed him, I was really expecting him to not do it, as an example of how death had changed him. I was wrong, and that didn't happen. Will there be consequences? 

Honorable Mentions: Jon Snow's Pecker and Playing Drinking Games with the Unsullied

Apparently neither make for a great party. 


Confirmed Kills: 11

4 of Ned Stark's bannermen (killed by the badass that was Ser Arthur Dayne at the Tower of Joy), Ser Gerold Hightower (killed by Ned Stark at the Tower of Joy), Ser Arthur Dayne (*not* killed by Ned Stark at the Tower of Joy), Bowen Marsh, Othell Yarwyck, Olly, and Alliser Thorne (hung by Jon Snow for betraying and stabbing him), and Shaggydog (presumably killed by Lord Smalljon Umber)

Season Death Tally: 28


Monday, May 9, 2016

Monday Morning Studio Exec—Captain America: Civil War





Monday Morning Studio Exec is a weekly summer column that examines whether the latest blockbusters succeeded in the goals of the franchise, financially and creatively


The most important moment in Captain America: Civil War was a line of dialogue so seemingly offhand that I don’t even remember which character actually said it. “Tony Stark first revealed himself as Iron Man eight years ago,” or some version of that, was the line, and it was the first time we’ve had a timeline inflicted upon the characters of the Marvel Cinematic universe. Prior to that, how quickly the events in these films succeeded one another was anyone’s guess. Knowing each film happens in the present, with the chronology between them proceeding in real time, is a game-changer, because it means we also know that the character of Tony Stark is now eight years older than he was when we first met him.

The implications for this revelation are huge. What has enabled Marvel to publish new Iron Man stories every year since 1962 is that drawn characters can be drawn the same age forever. What has enabled MGM to also pump out new James Bond movies since 1962 is by pretending the character never ages, and recasting when necessary to preserve that illusion. The MCU has now clearly announced they won’t go this route. When Robert Downey Jr. is too old to play Iron Man, that means Tony Stark will be too old to be Iron Man within the Marvel Cinematic Universe. Marvel and Disney have spent eight years and billions of dollars building this shared cinematic universe, and the revelation that they won’t recast their characters when the actors simply get too old to play them means that the continuation of this new business model will require even more ingenuity and risk-taking than building it.

For the Disney studio execs, this has to be mildly terrifying. To be fair, finding a new actor to fill Robert Downey Jr.’s iron boots was never going to be an easy prospect, just as finding a new James Bond is. But everything’s relative, and finding new actors to play Iron Man, Captain America, and now Spider-Man is certainly an easier prospect than finding new characters to anchor your universe around. Marvel currently has their cinematic slate planned through 2020, which is the end of Phase Three, and initial Phase Four plans are expected to be revealed in the next year or so. But what will Phase Six look like, when Marvel has had to retire all of their lead cinematic characters? Sure, Thor’s a God, so he can be recast and remain looking Thor-like, and Spider-Man’s only a teenager at the moment. But who else will these movies revolve around in 15 years? When franchises were isolated, you could always just reboot one any time, as we’ve seen with Spider-Man, Batman, Superman, and so many others. But as soon as you tie them all into the same shared universe, you can’t just restart one without blowing up the whole thing.

For now, we should all have faith in Kevin Feige, the architect of this universe. The 12 Marvel movies have almost all been varying degrees of good, and some have been great. He’s also shown a willingness to embrace offbeat characters like the Guardians of the Galaxy, who weren’t even appearing in comics at the time the movie was green lit. But that still felt like an aberration. For Feige to navigate an MCU without Iron Man, Captain America, and other franchise anchors that have been aged-out, dusting off buried gems like the Guardians will have to become the norm. Feige might have to somehow make viable franchises out of forgotten Marvel titles like Omega the Unknown, Sleepwalker, and Darkhawk.

Luckily for Feige, those are all problems for another decade; the MCU is eight years old now, so it’s not quite time to discuss how it’ll spend its college years. Besides, America may be in a post-nuclear apocalypse by then.


*   *   *   *   *

Through 12 releases, we’ve basically seen two kinds of Marvel Cinematic Universe movies—the ones that have largely been allowed to be their own film, and the ones that seemingly exist chiefly to get the universe from Point A to Point B. The first two Captain America flicks definitely fit in the latter category, and Civil War certainly has a lot of that heavy lifting to do. But this is also a movie that really works on its own terms, and is perhaps the best balancing act we’ve seen between those two methodologies.

The easy comparison here is Batman v Superman: Dawn of Justice, the atrocity that we were all forced to sit through just six weeks ago. Both films obviously pit the chief characters of their respective universes against one another, and would therefore seem to be participating in equations with a lot of common denominators. But as soon as you get the “vs” and the release date out of the way, the comparisons are already over. In Civil War, the ideological conflict is real, while in Dawn of Justice, it’s so ludicrous that the climactic fight had to immediately disable Superman’s speaking ability just so reason was incapable of prevailing. In Civil War, the conflict was ushered along behind the scenes by an Eastern European secret agent who wanted revenge; in Dawn of Justice, the conflict is basically openly officiated by Mark Zuckerberg, for no apparent reason other than sitting courtside is cool and rich-guy-like. In Civil War, Spider-Man’s origin is avoided because we all know it, and he’s introduced in a more creative way; in Dawn of Justice, we had to watch Thomas and Martha Wayne get killed yet again.

I could go on, but what’s the point? Good movies don’t deserve to be so carefully measured against bad ones, and Civil War is a good movie. Its elephant-in-the-room flaw is that it’s too long. Mark Harris once questioned whether these comic book movies, once they hit all the requisite Easter eggs and set up future installments, still had time to be actual movies. Now we know the answer: sure they do, as long as they’re 2½ hours. But having said that, there’s nothing really here that feels like it shouldn’t have been. The presence of Spider-Man and Ant Man weren’t plot necessities, but they did create a better movie. Black Panther, on the other hand, felt like he did have to be here.

Civil War enjoyed an opening weekend gross of 181 million dollars, which is the fifth best all-time. It’s about 10 million shy of what the previous Avengers movie opened with, but 15 million more than Batman v Superman, which had several advantages: it came first, it featured bigger, more iconic characters appearing together in a movie for the very first time, and it didn’t have to contend with a comic-book-movie-unfriendly holiday like Mother’s Day.

The most important thing for studios and summer blockbusters isn’t to make a great movie; it’s to avoid making a terrible one. Civil War unanimously achieved that, as well as every other goal it aimed for. It impressively expanded the Marvel canvas by bringing Ant Man to a much larger audience via what might be the film’s most enjoyable scene, and Spider-Man and the Black Panther aced their screen tests. Now all Feige has to do is stop all of his actors from ever aging.





Sunday, May 8, 2016

Game of Thrones Power Rankings (S6, E2)



Season 6, Episode 2: "Home"

Last week's rankings: "The Red Woman"

In the Game of Thrones, you win or you die. In that spirit, here’s your weekly look at who’s winning and who’s (slowly, painfully) dying.


Winning!

1. Jon Snow, 998th Lord Commander of the Night's Watch

He's alive! Now all he has to do is figure out how to stop an army of the dead. NBD. 

2. Melisandre

Hmm, so let me see if I have this right-- burning a young girl alive doesn't make for good access to your magical abilities, but trying to revive the possible savior of the realm does? Man, who would have guessed? 

3. Rhaegal & Viserion

They're free! Now, just one, small request:





4. The 99% of Westeros

As the High Sparrow said, "We have no names, no family. Every one of us is poor and powerless. And yet together, we can overthrow an empire." I wonder if the show runners ever approached Bernie Sanders about playing the High Sparrow? 

5. Tyrion Lannister 

Respect a man that knows his skill set.





Honorable Mention: Bran Stark 

Somehow he found a good barber in the weirwood tree.


Losing/Dying

1. Roose Bolton

So it turns out that threatening the loss of power and title to your sadistic son who loves nothing more than flaying his enemies, raping his wife, and separating people from things they're anatomically attached to is, umm, unwise. Game of Thrones is full of these profound little tidbits. Also, when you gained your own power by betraying and murdering those that trusted you, maybe don't be shocked that others will resort to similar tactics. 

2. Walda Frey and Her Newborn Son

What a shit role for an actress. What did the casting call say? "Needed: Very large actress to appear as basically a running fat joke, listen to costars question how it's physically possible to have sex with you, receive three lines of dialogue in two years, and then be eaten by dogs along with her newborn son." Yikes. 

3. Balon Greyjoy

And he seemed like such a good father. Oh well. 

4. Ramsay's Strategy

In the span of about 10 minutes, Ramsay first proposed attacking Castle Black, which he doesn't realize is being defended by a small army of wildlings and a big-ass giant that likes to smash people against walls, AND he murdered the daughter and grandson of the guy that orchestrated the Red Wedding. Remember, Walder Frey ordered the execution Robb Stark, his mother, his pregnant wife, and his entire army, just because Robb reneged on an arranged marriage. Now, Walder's daughter and grandson have been fed to dogs. Remember when we thought Joffrey had an averse relationship with karma? Ha! 

5. The War of the Five Kings

The beginning of Season Two launched the so-called War of the Five Kings between Joffrey Baratheon, Renly Baratheon, Stannis Baratheon, Robb Stark, and Balon Greyjoy. Since then, we've seen all five characters murdered, one each season since their conflict began, and two by their own brothers. The lesson: Maybe Westeros isn't a great place to declare yourself the king of. 

Honorable Mention: Ser Alliser Thorne

The Donald Trump of Westeros has been stripped of power and shown the fucking door. 


Confirmed Kills: 7

Two brothers of the Night's Watch (one sliced up by Tormund Giantsbane and the other smashed into a wall by the giant, Wun Wun), one particularly descriptive story-teller in King's Landing (head crushed into the wall he was pissing on, courtesy of Ser Robert Strong), Roose Bolton (stabbed in the stomach by his bastard son), Walda Frey and her baby boy (eaten by ravenous dogs set loose by her step-son), and Balon Greyjoy (pushed to his death by his own brother)

Season Death Tally: 17





















Sunday, May 1, 2016

Game of Thrones Power Rankings (S6, E1)




Season 6, Episode 1: "The Red Woman"

Last week's rankings: Season 5 Recap

In the Game of Thrones, you win or you die. In that spirit, here’s your weekly look at who’s winning and who’s (slowly, painfully) dying.


Winning!

1. Sansa Stark, Wardeness of the North

Finally, a little over 50 hours into the Game of Thrones saga, we saw Sansa make a good decision that was truly in her best interests. Now, she has three sworn protectors and is headed to Castle Black, where... Oh, yeah, no one there that's alive cares about her. 

Bold prediction: Sansa will be the key to bringing Jon back to life.  Melisandre (allegedly) needs king's blood to work her best magics, and Sansa's brother, Robb, was the King in the North. Whether or not Sansa has to die for this is still TBD. 

2. Brienne of Tarth

The Lady Brienne is officially a knight! Now we can look forward to seeing how she gets along with Melisandre, who birthed the smoke demon that killed King Renly, and who may be especially interested in Sansa's blood in the very near future. 

3. Podrick

He really acquitted himself pretty well there, didn't he? Maybe soon he'll be a legend for using real swords instead of just anatomical ones. 

4. Arya Stark

I mean, she's about to become Daredevil, right? Seriously, this is literally the origin of Daredevil--blind kid gets trained to fight by older, wiser blind person who wields a stick. Maybe soon, she and Jaqen H'ghar will be hopping around the Braavosi rooftops like this:



5. Ellaria Sand

She and the Sand Snakes have taken charge of Dorne, but she's starting to feel a bit like the Cersei of the south--a spiteful woman who spends waaaaaay more time thinking about revenge than she does about consequences. 

Honorable Mention: Melisandre

Not looking too bad for her age, huh? 




Losing/Dying

1. House Martell, (Former) Rulers of Dorne

And we thought things went bad for the Starks! Well, at least there's one less noble house of Westeros to keep track of now. 

But is it just me, or did the murders of Prince Doran and his son, Prince Trystane, feel a little like "Fuck it, we don't know what to do with these guys" on behalf of the show runners? Keep in mind, this is the first season of the show where there's no text from George R. R. Martin to provide a blue print. And yes, the show runners received his basic road map for where things were headed, but no one really knows how detailed that was, or how much they're sticking to it. But here's what I'm going on--at the end of last season, Prince Doran arranged for Trystane to travel to King's Landing and serve on the Small Council. Now, just one episode later, he's dead, and it's a death that certainly didn't require any traveling to happen. The Sand Snakes could have easily just killed him in Dorne. This has always been a show where no plot point or character movement has ever been unnecessary, but now it seems that Trystane going to King's Landing is just that. All shows use season breaks to course correct in small ways, but the death of Trystane feels like a giant "We changed our minds" red flag. We'll see if there will be others. 

2. The Targaryen Invasion of Westeros

Hey, remember when we all thought this would happen in our lifetimes? After spending two season in Meereen, we thought the arrival of Tyrion might finally portend real development and movement of this seeming eventuality. But then Khaleesi was whisked away on a dragon, kidnapped by a Dothraki horde, and now all of her ships have gone up in literal flames. I'm starting to wonder if the entire Daenerys pollen has been a red herring since day one and she's actually never leaving Essos. 

3. Daenerys Targaryen, Widow of the Great Khal Drogo

Speaking of the Breaker of Chains, not a great turn of events for her this week. After finding out the fate of a widowed khaleesi, a small part of her had to be thinking, "Damn, I should have just kept my mouth shut and let them all have sex with me." It is known. 

4. Jon Snow, the 998th Lord Commander of the Night's Watch

Still dead. Is Vegas taking bets on how many episodes Kit Harrington will just be playing a dead body? 

But the good news is, at least Castle Black has been left in good hands!




5. Walda Frey 

Doesn't it feel like every time Roose Bolton mentions her pregnancy, she moves further up Ramsay's list of potential new torture buddies? And since all of his old torture buddies seem to have fled the premises...

Honorable Mention: Davos Seaworth

His immediate future looks dark and full of terrors. 


Confirmed Kills: 10

6 of Ramsay's bannermen (3 killed by Brienne, 2 killed by Podrick, and 1 killed by Theon), Areo Hotah (stabbed in the back by Tyene Sand), Prince Doran Martell (stabbed in the chest by Ellaria Sand), a Dornish messenger (knife thrown in his back by Tyene Sand), and Prince Trystane Martell (speared through the head by Obara Sand, because she's a greedy bitch)  

Season Death Tally: 10